The Custodian of Paradise (Vintage
Canada, 2006) is a sequel to Wayne Johnston’s masterful The
Colony of Unrequited Dreams. Set mostly in St. John’s, Newfoundland in the early decades of the 20th century, the story opens with Sheilagh
Fielding, the story’s narrator, preparing to travel alone to a remote island
off the coast of Newfoundland.
What
would bring a woman to seek isolation in such an uninhabited place? As is soon
revealed, Fielding needs a form of seclusion to reflect on her life and write
her story, a story that is heavily weighted in sadness, tragedy and misfortune.
But in Wayne Johnston’s deft hands, that sadness and tragedy are beautifully
and expertly told; the most wrenching moments never become oppressive or
maudlin.
Without
giving away too much away, the 14 year-old Fielding is traumatized by an
incident that will ultimately shape the rest of her life. With a six foot one
frame, a disfigured foot, and a penchant for drink, Sheilagh Fielding is regarded
by others as something of a freak – unwanted, unloved, scorned and ridiculed at
every turn. Her most powerful weapon in fighting against the cruelty of others and as an outlet for her pain is a ferocious intellect, a razor sharp wit and an extraordinary talent for
writing.
At
an early age, Fielding finds an outlet for her pain and daemons as a newspaper
columnist, where she succeeds in chiding, poking and mocking the establishment
in all its hypocrisy, intolerance, bigotry and pettiness. Where a scrappy and ambitious
Joey Smallwood (former Premier of Newfoundland) was the central figure and
narrator in Colony, in
this tale he appears at different points in Fielding’s life, always ready to
verbally spar with his worthy adversary. The witty repartee between Smallwood
and Fielding almost jumps off the pages.
The
novel weaves back and forth between the present (on Loreburn island) and the
past through personal recollections, letters and diary entries. Johnston does a superb job piecing Fielding’s story together, in
language that is rich in detail and pleasing to the ear, with just enough
suspense thrown in to keep readers engaged.
One
of the central themes is the idea of revenge and the impact it has on those who
aim to inflict it, and those unfortunate enough to be caught up in its
collateral damage. In one of the letters written by a secret “Provider,” whose
identity is withheld until the end, there are these poignant lines: “There
comes a point when spite is an end in itself. When bitterness somehow sustains
and enervates the soul.”
The
Custodian of Paradise contains many such nuggets. This is one of those novels
whose voices, images and drama will stay with me for a long time – and it
deserves to be read.